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Acknowledgements

            Development of this publication has made use of the Cambridge
            English Corpus, a multi-billion word collection of spoken and
            written English. It includes the Cambridge Learner Corpus,
            a unique collection of candidate exam answers. Cambridge
            University Press has built up the Cambridge English Corpus
            to provide evidence about language use that helps to produce
            better language teaching materials.
            This product is informed by English Pro le, a Council of
            Europe-endorsed research programme that is providing detailed
            information about the language that learners of English know
            and use at each level of the Common European Framework
            of Reference (CEFR). For more information, please visit
            www.englishpro le.org
            The authors and publishers acknowledge the following
            sources of copyright material and are grateful for the
            permissions granted. While every effort has been made, it
            has not always been possible to identify the sources of all
            the material used, or to trace all copyright holders.  If any
            omissions are brought to our notice, we will be happy to
            include the appropriate acknowledgements on reprinting.
            Mail Online for the adapted extract on p. 45 ‘The World’s Biggest
            School’ by Daily Mail Reporter, Mail Online 23/8/2013; Claire
            Gournley for the adapted extract on p. 57 from text appearing
            on her website ‘itsmyturntocooktonight.com’. Reproduced by
            permission of Claire Gournley; First News for the adapted extract
            on p. 62 ‘How much time do you spend outside?’ by First News
            Reporter, First News 11/04/2014; United Church of God for the
            adapted extract on p. 81 ‘Teenage stories: yours could start today,’
            by Kae Tattersall, The Good News.
            Photo acknowledgements
            p. 5: (L) M. Sobreira/Alamy, (R) Pixellover RM 5/Alamy,
            p. 9: Graham Oliver/Juice Images Corbis, p. 10: Kevin Dodge/
            Blend Images/Corbis, p. 13: Pier Marco Tacca/Getty, pp. 25:
            (L) AlexRoz/Shutterstock, (R) Rodrigo Bellizzi/Shutterstock,
            p. 27: Iain Masterton/Alamy, p. 29: Photopat vintage/Alamy,
            p. 30: Bernhard Lang/Getty, pp. 33: (L) UrbanImages/Alamy,
            (C) Heritage Images/Getty, (R) Sergey Parantaev/Alamy,
            pp. 39: (T) Serhiy Kobyakov/Shutterstock, (C) irawatfoto/
            Shutterstock, (B) Anton Starikov/Alamy, pp. 40: (TL) Gillmar/
            Shutterstock, (TR) Suzanne Long/Alamy , (CL) EMprize/
            Shutterstock, (CR) Henrik Winther Andersen/Alamy, (BL)
            CountrySideCollection/Homer Sykes/Alamy, (BR) Momanuma/
            Shutterstock, (R) Kevin Schafer/Getty, p. 41: Mangostock/
            Shutterstock, pp. 43: (L) Gallo Images/Alamy, (TR) JLImages/
            Alamy, (BR) FloridaStock/Shutterstock, p. 45: STRDEL/
            Stringer/Getty, p. 49: Filip Fuxa/Shutterstock, p. 51: S.Borisov/
            Shutterstock, p. 53: AF archive/Alamy, p. 62: Julia Kuznetsova/
            Shutterstock, p. 66: @erics/Shutterstock, p. 69: Fullempty/
            Shutterstock, p. 73: Matt Baron/BEI/Rex, p. 77: (T) Robin Bush/
            Getty, (B) cmgirl/Shutterstock, p. 81: (T) nico99/Shutterstock,
            (B) Kosobu/Shutterstock, p. 83: fotohunter/Shutterstock
            Front cover photograph by Phase4Studios/Shutterstock.
            Illustrations
            Mark Duffin pp. 15, 34; Stuart Harrison pp. 5, 12, 14, 22, 47,
            52, 68, 74; Martin Sanders (Beehive Illustration) p. 17; Alex
            Sotirovski (Beehive Illustration) pp. 16, 31, 35, 48, 56, 61, 75.
            The publishers are grateful to the following contributors:
            text design and layouts: emc design Ltd; cover design: Andrew
            Ward; picture research: emc design Ltd; audio recordings:
            produced by IH Sound and recorded at DSound, London; edited
            by Diane Hall.










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